They are not worried about who is singing or how it is being received.” They don’t care if music works or doesn’t. It is about business it is about Friday-Saturday-Sunday crowd pulling. I don’t think they are thinking about musicality, or sustainability, or giving out new melody. I don’t think the music composers have a say today, the producers and music labels believe that by remixing an old song or adding some rap and beats to an old song will make it successful. Music is created by someone who understands it.”Įmpathising with the struggle to make original music, Mahadevan says, “We should not blame music composers. The power of the person who decides which music will come out - is a non-music person. However, I think the primary reason might be that the person who makes the music is different from the person taking the decision to put out the music. It is everybody’s personal choice and everybody has a different way of composing. Talking about the slow decline of original music in the Hindi film industry, the composer says, “I am nobody to comment on why it is not happening today. Anything we do, we add bits of classical music because those are the roots of our culture,” the singer says. Now we are very selective about our work. “We are very much still composing music for Hindi films, not as much as we used to but last year we did Bandish Bandits.
Is the withdrawal related to the kind of music being churned out today? He denies that. Of late, however, they have cut down on composing Hindi film music.
#Shankar mahadevan academy login movie
Shankar along with collaborators Ehsaan Noorani and Loy Mendonsa created some of the most memorable movie music in 2000s. Once Shankar Mahadevan entered the Indian music industry, there was no looking back. I got so nervous, I was like what is this? And he said, it is Breathless! That time I used to live in Navi Mumbai, so one day after work, I took a taxi back home, I had my dictaphone, so I took that and started composing the song in the taxi, and by the time I had reached Navi Mumbai, I had composed the song. When I saw it for the first time, it felt like I was reading a long newspaper article.
#Shankar mahadevan academy login full
I gave him a meter to write on, a few notes to write on, and he wrote almost like two full sheets of lyrics, he gave it to me after a week.
So I got very excited with the idea and we both decided that we should keep this one breath level, as if it is sung in one breath, you know. But when we are improvising, it doesn’t have a structure, so why can’t we write something like that? A structure-less parabola as it is called in Physics– it goes up, it comes down, it is fast, it is slow, ‘upar ke surr hai, neeche ke surr hai’, so it is a very unstructured kind of a thing, but it has it’s own structure. What I always tell them is to stay dedicated to their craft, keep working hard and to never lose hope.Revealing how Breathless actually shaped up, the National Award-winning music composer says, “A song has a mukhda then music, antara and then music, that kind of a thing. Talking about how he keeps motivating them, Shankar adds, “They are sorted as individuals. Tell me what more does a father want? It feels like the greatest blessing,” he sounds happy. During my live shows when I am requested to sing their hit tracks it makes me all the more proud. As a father, the best feeling is when people say good things about my children. “I am thankful for the love our songs have received. While Siddharth’s repertoire includes Bunty Aur Babli (2005), Bhaag Milkha Bhaag (2013), 2 States (2014), Dil Dhadakne Do (2015) and Baar Baar Dekho (2016), Shivam has lent his voice for films such as Delhi Safari (2012), Dhoom 3 (2013) and Katyar Kaljat Ghusli (2015). Both Siddharth Mahadevan (25) and Shivam Mahadevan (16) are doing well and have sung for a few Bollywood films. Shankar Mahadevan is satisfied with the way his children are taking their career ahead.
0 kommentar(er)
